This project commemorates the work of inventor Daphne Oram, creator of oramics. The main challenge of this project was to induce sound through shapes and movement, as the working context did not allow its use. I therefore worked with two types of form, organic and mechanical, which follow one another at a defined tempo. The organic forms refer to the immaterial aspect of music, while the mechanical forms suggest the tangible side, such as the use of instruments.
